Ideas for Choir, Classroom and Musicals
The following ideas may be used to facilitate music instruction.

Building and Maintaining Your Choral Program

 

Recruitment

Visibility, Visibility, Visibilty!

We all know the maxim “nothing succeeds like success” and this is definitely the case with building a choral program. As soon as you have an established group, have them perform in as many venues as possible, including, assemblies, other schools, community events, and wherever they can gain visibility in a positive way. Once you have this credibility, you are on your way to gaining parental, community, and most importantly administrative support.

This is a key to establishing a strong and successful choral program.

  • If time allows, establish a parent and grandparent, after of before school chorus. When the parents are involved, the students are more committed.

  • Begin with a non-auditioned chorus where all students are invited to join

  • Even when you are ready for select groups, don’t abandon your all-inclusive group!

      Everyone should be allowed the opportunity to express joy through the art of singing.

  • Once your choir is established, have periodic celebrations such as before or after school parties [donuts, pizza, etc.] to garner a sense of camaraderie among choir members.

  • If funds are available, purchase choir tee shirts to be worn for concerts and performances.

 

 

Selecting Repertoire

Whether you are a new music teacher, or an established choral director, there are a few elements needed to creating and maintaining a successful program.

First and foremost, choosing the proper repertoire that is appropriate for your age group is of the utmost importance.

Criteria should be:

  • Select music that is appropriate both lyrically and melodically within reach of your current choir’s capabilities.

  • Choosing a variety of quality music that spans anywhere from the Baroque and Romantic period to present day music.

  •  Using music that has definite elements of ear appeal such as melody, interesting lyrics, pulsating rhythms, etc.

  • Selecting diverse literature that celebrates world cultures. You can choose from a vast body of choral music and traditional folk songs from countries around the globe to choose from.

  • Incoporate rhythm and movement to choral pieces where indicated. This adds immense interest for both students and audiences alike.

  • When indicated, if possible, adding live instrumental accompaniments, if possible when indicated in the music, such as fiddle, flute, violin etc.

  • Don’t forget about partner songs. For too long partner songs have been solely associated with beginning choirs. Yes, they are a splendid way to introduce two-part singing to beginners, but they work extremely well with any group of two-part voices at any level. [see Why partner songs below]

 

Use Scrolling Videos to help teach choral music

If you have the capability of using the Internet and connecting to YouTube, choral scrolling videos make an excellent teaching tool for aiding students in learning their parts.

Most publishers have their chorals on YouTube in a scrolling format.

Students can watch and listen to the videos, and freeze them with the cursor at any point to practice a phrase that may be troublesome or challenging. Be sure to have them click the button to expand the screen to the largest size video

All of the GallinaMusic, LLC chorals and musicals have scrolling videos.

Here are links to a few:

1. Holiday Hoedown

https://www.youtube.com/watch?v=mGeJbyAm9RI

2. Sing to Martin Luther King

https://www.youtube.com/watch?v=hjHBokdnER8

3. Heave Away Me Jollies

https://www.youtube.com/watch?v=RdWLzdMOjqY

 

Use Part Dominant mp3’s [PDs] to assist students in learning their parts

PDs or Part Dominant mp3s are the recorded rehearsal tracks of each individual part for a choral piece. For instance, an SATB would have a separate rehearsal track for each of the voices [soprano, alto, tenor, and bass] so the singers can practice their specific melody or harmony parts. In most instances the others voices are muted on the track along with the Part Dominant voice. It provides a wonderful opportunity to assist choral directors in teaching and practicing the vocal parts with their students.  All of our Complete Choral Kits include PD mp3s as part of the Kit.

Click Here to see our Complete Choral Kits >

 

Using Partner Songs 

Click here for a free pdf to help emphasize the importance and versatility of using Partner songs, formally known as quodlibets in your choral program.

You can find a wealth of partner songs on our website at these links:

https://www.jillandmichaelgallina.com/partnerchorals

https://www.jillandmichaelgallina.com/partner-song-collections

 

Musical Productions

Presenting Musical Productions The Why and How of it!

There is nothing quite as memorable as performing in a musical production when you are in school. Ask any adult who participated in a school production and they will likely tell you it was one of the most impactful and noteworthy events of their school years.

It teaches a myriad of skills, and builds confidence like no other experience can possibly achieve. It is truly a life lesson like no other, thus if at all possible, try to provide your students with a chance to enter this magical world of theater.

 

Keys to Selection of a Musical

The following is a criteria guide to assist you in selecting a musical that fits your specific needs.

Title of Musical under consideration

 

Key Elements

  1. Appropriate for target grades and maturity level of students

  2. Vocal requirements are within an acceptable range.

  3. The musical selections meet quality expectations.

  4. The number of speaking parts is appropriate for the size of your group.

  5. The duration of the production is within the desired range.

  6. The quality of the accompaniment track meets my expectations.

  7. The coast of the total package is within the allotted budget.

  8. The requirements for costumes, scenery, and props are acceptable.

  9. The content is in keeping with the needs and interests of children.

  10. The scene changes can be performed in my performance hall.

  11. My performance area can accommodate the movements required of the performers.

  12. The rehearsal time needed to prepare this production conforms with what is available.

  13. The production has a logical format, story line, and sequence.

  14. The theme has educational and social value and will be well received by the audience.

Rate each of the above elements on a scale of 1-4.

Musicals with the highest score will be the most desirable and successful.

 

The above was excerpted from the book “Puttin’ On the Kidz,” a how-to guidebook on producing successful musicals for young thespians.

For a wealth of other information, here is the link to preview and purchase “Puttin on The Kidz”

 

Whether you have access to a full stage, lighting, sound system etc., or a gymnasium, an all-purpose room, or limited space, through careful planning you can still hopefully provide your students the opportunity to experience the joy of acting in a theatrical production!

Story Theater

Referred to as either “Story Theater” or “Readers’ Theater”, this wonderful means of exposing students to theater provides every child with an opportunity to be in the spotlight.  In the absence of an audience or the pressure associated with an actual performance, “Story Theater” enables any child who can read, with a chance to be the star of the show. If it is your goal to encourage students to develop a life-long love of musical theater, and hopefully eventually opera, it is essential that they be given an opportunity to be part of a musical production.  Quite simply, “Story Theater” is an informal reading through of a musical [dialog plus singing along with a full performance recording. The children are assigned parts and with the aid of costume pieces [hats, wigs, sun glasses, etc.] they can assume various roles.  The costume pieces are not essential, but they do add a great deal of fun.  The “Story Theater” approach allows your students to enjoy the benefits of participating in a theatrical experience without the stress usually associated with a formal stage production.

 

Incorporating music into Cross Curricular Learning

Music provides an excellent opportunity for you to incorporate other areas of the curriculum into your music program. It helps to build a sense of camaraderie with  other classroom teachers when you can put a beautiful exclamation point at the end of a unit they are teaching by performing a musical production on the same curricular topic.

We have musical plays that address topics such as:

Science and Ecology: “The Green Team Machine” “Oceans of Fun”

History: “The Castaways,” “Johnny Appleseed,” “United We Stand”  

Reading and Literature:  “Sing Me a Story,”  “Shake it Up with Shakespeare”

Character Education: “Bebop with Aesop,” “Let’s Pass it On”

Our Educational Musicals can be found here:

https://www.jillandmichaelgallina.com/educational-musicals

 

 

Introduction to Broadway Musicals

Broadway Musicals Unit

There are so many wonderful Broadway musicals appropriate to share with your students as part of a unit on successful musicals throughout the years.

Here is a link to the site that provides an excellent and inclusive history of Broadway Musicals throughout the ages: https://en.wikipedia.org/wiki/Broadway_theatre

 The following is a list of the most prolific composers of Broadway Musicals with links to pages giving extensive information about each of them.

1. Rodgers and Hart https://en.wikipedia.org/wiki/Rodgers_and_Hart

2. Rogers and Hammerstein https://en.wikipedia.org/wiki/Rodgers_and_Hammerstein

3. Lerner and Lowe  https://en.wikipedia.org/wiki/Lerner_and_Loewe

4. Stephen Sondheim  https://en.wikipedia.org/wiki/Stephen_Sondheim

5. Frank Loesser  https://en.wikipedia.org/wiki/Frank_Loesser

6. Sheldon Harnick  https://en.wikipedia.org/wiki/Sheldon_Harnick

7. Stephen Schwartz  https://en.wikipedia.org/wiki/Stephen_Schwartz_(composer)

 

Featured Videos

The following videos are just a few of some excellent examples sent to us by teachers and music directors throughout the country. They are wonderful examples of traditional choral music and musical plays written for choir or theater education, performed successfully and creatively, many both in traditional and remote settings. When selecting music for your performance group, It can be extremely helpfuly to view video productions for staging, costuming and movement ideas.

1. I Want a Hippopotamus for Christmas - iSing Silicon Valley

https://www.youtube.com/watch?v=w-e5V5YQ9tM

2. My Purpose - Liberty High School Henderson, NV under the direction of Lamont Russell.

https://www.youtube.com/watch?v=9--8FWKxiiY

3. Mo Li Hua - Georgia Children’s Chorus:

https://www.youtube.com/watch?v=3GKHfP2SVr4

4. Numi, Numi Lowell Middle School under the direction of Nathan Masterson. https://www.youtube.com/watch?v=AmkDEeYZY_8

5. Iro Ye - Koor & Stem Gent, Belgium under the direction of Marleen Moortgat.

https://www.youtube.com/watch?v=am3xRUu5hVU

6. Funga Alafia - Jefferson 4th and 5th grade chorus under the direction under Gary Schwartz.

https://www.youtube.com/watch?v=olSuaXaXuL8

7. How Does Your Garden Groove - DMR Adventures under the direction of Stania Shaw.

https://www.youtube.com/watch?v=KyMefq0QO9A&t=42s

8.  Heave Away Me Jollies - Harrison High School, AR, under the direction of Michael Crouch.

https://www.youtube.com/watch?v=sETnWb4l8To

9. To Those Who Serve - WAOCC under the direction of Bruce Walker.

https://www.youtube.com/watch?v=0F1ODQzVVEg

10. Winter’s In the Air - Treasure Coast Community Singers.

https://www.youtube.com/watch?v=x2U0lVYY4y0

11. Venga nel Nostro Coro - H. H, Dow High School, Midland Michigan.

https://www.youtube.com/watch?v=5fVVMawt3ws

12. Venga nel Nostro Coro - Santa Susana High School, Simi Valley,CA.

https://www.youtube.com/watch?v=yPZXayXHdq0

13. Funky Chicken Strut from Barnyard Moosical - Amy Escalante, Sharon Elementary School, Charlotte, NC.

https://www.youtube.com/watch?v=As2Cz_3U1AQ

 

 

 

We love hearing from you!

Please don’t hesitate to contact us regarding suggestions for products, search for out of print music, or questions regarding anything related to Jill and Michael Gallina music.

If performing one of our musicals or chorals, we are delighted to send letters of best wishes to you, your performers, and your school!

Are you getting our newsletter? If not, be sure to sign up! 

Each newsletter includes never-before divulged facts about the Gallinas. Here's the latest:

Jill and Michael met at Trenton State College (now known as the College of New Jersey) in Bye, Bye, Birdie, when they had the lead roles opposite each other. Jill was Rosie and Michael was Albert!

They’ve been making music ever since!